Rituals – Intended and Accidental

The Jewish New Year prompts the annual introspection: how to love our imperfect selves?

Imperfect challah…tastes about like it looks.

Last year at this time, we were taking steps to re-emerge from the pandemic. For me, that meant sending my kids back to in-person high school and college. I’m not gonna lie; it was bittersweet. I liked having my babies close.

On the eve of that transition, we sat around our dining room table and I said, Before we eatI want to do something.

I needed to pause and acknowledge that we had been through something extraordinary over the last 18 months, before we rushed headlong into the next season of our lives without a breath. I needed a ritual to close that time, in order to welcome what was coming next — a “new abnormal,” if not the grand “Woo Hoo, It’s Over!” we all wanted.

So that night I had scrounged and found four half-melted candles in the kitchen’s junk drawer and anchored them to the bottom of a glass jar with their own melted wax. I know: better humans than I would have thought ahead, bought new candles, maybe even placed them in real candleholders, and set a vase of flowers in the center, with a carefully crafted playlist humming in the background. While I admire and appreciate people who make those efforts, touches that make everyone feel special, that is not me. When I get an idea, I ruminate on it for a while, reject it, change my mind at the last minute and decide to commit to it, and then scramble to make it happen. I am who I am.

Gathered around the dining room table, I said, I thought that each of us could light a candle and say something, whatever you want, maybe a wish or hope for the new year. Anything.

I expected double eye rolls; they did not come. I guess my family needed something like this, too.

I lit the first candle and said to my boys, “I am so proud of how you weathered this strange and unprecedented time. You’ve shown resilience and humor, in addition to grief and mourning.”

Around the table, we each took a turn, match-lighting glitches and all. I do not know if my little ritual changed anything measurable, but it gave us a moment to take a step back and honor what we had been through.

Rituals are a necessary part of the human condition.

I have been thinking about rituals this week we celebrate the High Holidays. On Erev Rosh Hashanah last week, our rabbi spoke with utmost gratitude to his mother, who made sure that his family knew without fail that every Friday at 6 pm, they would be gathered around the Shabbat table.

As I thought about my own family’s haphazard Shabbat rituals, I felt that familiar second-guessing, comparing-mind, regret rising in my belly — if only I had done that better! I really meant to and now it’s too late!

In a perfect world, I would have created a beautiful and reliable Shabbat ritual for my family. My kids would have come home to the smell of fresh Challah baking, roasted chicken, and potatoes in the oven. Not only did I not possess the domestic discipline to plan ahead, but I also lacked the iron will to enforce that weekly ritual against the competing interests of flag football practices, basketball games; or social events of our own. Rather than make a beautiful, attendance-mandatory dinner each Friday night, I made the decision that keeping my kids from doing what they loved because of Judaism — was the surefire way to kill any fondness for those rituals and create a lifelong resentment to carry forward into the next generation

I sometimes wonder, like when the Rabbi is talking about his treasured childhood memories of Shabbat each week — what rituals will my kids keep? Which will they pass down? Which will they abandon? Which have I taught them, and which have I unwittingly handed down?

One ritual I love is casting away regrets.

One of my favorite rituals is Tashlich, the symbolic casting away of sins. I did not encounter this ritual until I was an adult (which feels important to remember as I flay myself for failing to instill rituals in my kids). I love Taschlich both because it involves being in nature and because it is about letting go of regrets.

Lucky to live by the ocean, in our community we gather at the beach and throw bread crumbs or birdseed into the sea, symbolically casting our “sins” into the ocean. As I throw the seeds toward the water, I think about the qualities and feelings I want to shed, and the thought and the physicality of it make me feel lighter, at least for the day.

Last year, I cast away fear. I let go of washing groceries when I came home from the market, and of reminding my sons to wash their hands the second they walked in the door. I cast away the grief of seeing caution tape wound around monkey bars. I cast away having my kids home and the false comfort of thinking I could protect them. I cast away the clenching and shrinking we had had to do then.

This year, I stood at the edge of the ocean thinking about what to let go of. The same stuff as always comes up (hello, worry, you old friend!), along with the unnamed boulders that keep me from lifting higher. Maybe regret.

My son called from his college town while I was there. He had not been to services, but he and his girlfriend had taken a hike on a trail they had never been on before.

“I told her about Tashlich.”

To be honest, I was surprised he knew the word.

“We took two rocks each,” he said, “and threw them off the mountain. One for something we wanted to let go of and one for something we hoped would come in the year.”

My heart filled. He had taken a ritual I love and had never consciously taught him, and made it his own. Like my half-melted candles, he had improvised and made a meaningful moment and shared it with someone he loved.

What will our kids take from us? What will they pass along to someone new?

Maybe what my kids have learned from my omissions, my failure to impose order and instruct them in perfect rituals and maxims, is that there is room in our traditions for them to draw out meaning. That perfection is not the goal, but the intention you bring. That what matters is showing up with what you may cobble together, and marking the moment.

So what if I did not keep an iron grasp on my family’s Friday nights, as tradition proscribed? I gave us what we needed, the freedom from “must do’s” that pinched rather than added joy; the value of adaptability; and a core faith that the bonds of family — built on trust, stability, and presence — were built all week long in a million other ways.

It would take centuries, and a truckload of birdseed to cast every regret and moment of second-guessing into the sea. A handful a year is a good start.

It is Friday afternoon as I write this. Wishing you a peaceful and perfection-free day of rest.


Laura Nicole Diamond is the award-winning author of Shelter Us: a novel, and Dance with Me: a love letter, and editor of the anthology Deliver Me: True Confessions of Motherhood. She is at work on a memoir about becoming a foster mom to a teenage asylum-seeker. Follow her on MediumFacebookTwitter, and Instagram.

Followers

Photo by Matt Hardy on Pexels.com

She told me that the sea otter who followed her was her dead daughter.

We sat across from each other at a square wood dining table with our half-eaten meals between us, ice melting in sturdy glasses, efficient neighborhood waitress pausing to refill then leave us alone. We kept eating, pressing our forks into salads, or grain bowls, or omelets — that particular I do not remember. What I remember is her matter-of-fact-ness and her certainty. I filled in the vision she painted – the otter swimming behind her canoe, watching her, keeping pace — with details from my own memories of a different watery place decades before — the slant of sun powering through thick bayou treetops, bouncing off the water and turning it green. A boat and oars. Rippling water. Moving through shade and light.

I remember thinking as I listened to her – this mom, this survivor – why not? who am I to be certain of a world where that cannot be true? There are mysteries, after all — Maybe God, and maybe Not. I was no fundamentalist, either way. I accompanied her to consider the possibility, to Maybe.

Seven years later, having come close to more deaths and companioned more grief, I circle back to that conversation, to the vivid image of the otter swimming behind her mother, not so close as to touch her, but close enough to be seen and known. I circle back to that restaurant, to the mother describing the moment, and to then-me who received her memory. And I change what I knew and understood to be true: of course that was her daughter, gliding through water dark with life, bracing and cool.

Einstein said, “Energy can neither be created nor destroyed,” but it takes me a while to catch on. An orange butterfly followed me for a mile before I recognized her and gasped hello.


Laura Nicole Diamond is the author of Shelter Us: a novel, Dance with Me: a love letter, and editor of the anthology Deliver Me: True Confessions of Motherhood. She is at work on a memoir about becoming a foster mom to a teenage asylum-seeker. Follow more of her writing on Medium.

Counting on Thanksgiving.

Last year, we held a placeholder Thanksgiving, an empty day where there should have been a crowd, a marker to keep the tradition going.

It worked. Thanksgiving is on.

My parents traditionally have hosted our extended family on Thanksgiving. (And by “my parents” I mean: my mother invites, counts heads, arranges flowers, rents tables and chairs, sets out nuts and cheese and crackers, and used to cook the turkey and stuffing, now outsourced to our friend Chef Ike; and my dad warmly toasts her efforts.)

Suffice to say my mom still does a lot. In fact, she would be forgiven if in recent years she has been silently tiring of it (to be clear, total supposition on my part), perhaps counting down to a handoff of the responsibility. But for 2021 she is recharged, revving and raring to go, thrilled to have it back. It is a parallel energy to a certain high schooler I know who looked forward to returning to school after having been locked with his parents for more than a year. Things we grow tired of and take for granted, we appreciate anew.

Full disclosure: I am pretty sure my Dad is less revved about having a crowd of people inside their house, even his favorite people. But he is going along for the ride.

Thank you, Mom, for making it happen. Thank you, Dad, for allowing it to happen, despite the fact that there is more than 0% risk (I see you). Thank you vaccines for making gathering again possible. Thank you grandparents and great-grandparents for setting the example of prioritizing family. Thank you parents, aunts, uncles, siblings, cousins, spouses, children for following them. Thank you rituals. Thank you fall, and cloudy skies. Thank you red leaves, wherever you may be.

Maybe it is too soon to be grateful. Thanksgiving is four weeks — a lifetime — away. We know life takes turns we do not want or expect. But can it ever be “too soon to be grateful?” Impossible. What we can be grateful for is what we have now — the idea of the gathering to come, the sweet anticipation, the energy it swirls in us, all of which is present this very moment.


Last year’s piece, “A Placeholder Thanksgiving. Keep it Warm.”

The memories come all at once, out of order.

Cousin Ken sitting in the middle of my folks’ living room, strumming folks songs on his guitar, offering Puff the Magic Dragon for then-pre-schooler Rebecca…and Kum-bala-laika for his mom Leona and my Grandma Lilli, calling them back to their father singing with his mandolin, bringing them to tears.

Every year, Greg showing up early so as not to miss any of the Dallas game. (Good luck today, by the way.) A football game on the front yard, where everyone but my dad got older, my sister and cousins and me replaced by our children.

If I strain, I can even remember when our grandmother still brought a “second” turkey to accommodate the growing family gathering, before we needed to fix a plate for her and bring it to where she sat. Before my mom eventually decided to leave all the cooking to Chef Ike — but Barbara kept bringing her apple cranberry fruit crumble thing, my favorite.

This year I’m making Barbara’s apple cranberry thing, which turns out to be very easy and will always be my favorite, though it may not taste the same since it won’t be scooped from the same ceramic baking dish.

This year we are apart. Hold the day, keep it warm, and we’ll be together again next year.

The well-loved recipe, by my aunt’s dear friend Susan Goldman.

More Pandemic Life, and Light, One Year Later

Last Passover I thought the Jews might break the internet. I did not yet know that this “Zoom” thing could handle our bandwidth. Miraculously, it could and did. Some fifty relatives waved at each other from our own homes, believing surely we would be together this year.

That was not to pass. Rather than resume our pre-pandemic mass gathering, our familial organism divided into smaller cells spread across counties and states. Even so, I felt a real liberation from the narrow places of last year: for the first time in a year I was sitting with my parents inside their house, eating at their dining room table, maskless, and vaccinated. We chose to open a laptop to Zoom as our rabbi led a Seder from her home and we joined a congregational family of hundreds. She closed the Seder with “Next year in Jerusalem,” and we affirmed, “next year in Tarzana.” Even this felt like a step forward.

More signs of light? For my 2020 birthday, one month into the shutdown, my friend left a very special gift on my porch, rang the doorbell, then hightailed it to the safety of her car.

My birthday month has come around again, and last night we walked to this friend’s house, rang her doorbell and did not back up but stayed on her welcome mat. Five of us went up to the roof in time to see the sunset, and toast how far we have come; the world isn’t talking about where to source toilet paper, but vaccines! Earlier in the day, I had told my son that I sensed a light coming — though I hedged, acknowledging that my feelings could change in a day or an hour. Last night on that roof, with darkness settling over us, Christopher summarized the sentiment of the moment, saying, “I don’t know what comes next.”

We have never known what comes next. The last year has taught us that. I hold at bay the knowledge that anything could happen still, a fourth wave might crash over us and wipe out plans for summer or even fall. And it might not. I focus on the light streaming through my window right this moment, as real as anything.

Cousins

In my mind’s eye I see the photograph that used to hang in my grandmother’s kitchen. The seven children of my generation (the California delegation), the cousins I grew up with, sit on the ivy-covered hillside of my aunt and uncle’s backyard, posed in a group before resuming our climbing. The sun has all but set, leaving enough light to see us by.

The four girls cluster together. On this occasion for some reason (maybe my aunt forewarned us there would be photographs?) my sister Marni and I wear matching dresses, a quilted design that reaches our ankles, and navy blue turtlenecks beneath. My cousin Liz sits next to me, legs crossed and hands clasped, in a red dress that reveals her knees. Sheryl, the youngest of us girls, wears her pigtails curled and tied with ribbons to match her dress. The two older boys, Marc and Michael, always a pair in those days, sit by each other’s side in corduroys, the uniform of the mid-1970’s. At the front, the youngest of our gang, four-year-old Greg peeks through straight blond hair, his mischievous smile revealing space where his front baby teeth should be, knocked out when he jumped out of a treehouse to prove his mettle.

I am seven or eight years old, and I am aware that it is the collective that matters. That I belong to something bigger. This photo with cousins — and the ritual of being asked to pose for it — imprints a message in my soul: these are your people.

These playmates are your story-bearers, your history-sharers. You will play and make up songs together, go to summer camp and sleepovers, attend each other’s birthdays and weddings. You will lose love and jobs and your hearts will break. The years will separate you by geography or politics or temperament. And yet through it all these will be your people.

The hillside on which we climb will bear witness to our family’s evolution. Our children’s footsteps will overlay the invisible imprints where ours once landed. And like our grandparents asked of our parents before us, we will ask our own kids to stop and pose, freeze just for a second. We will take their photo and tell them without words, you belong to each other.

What no one says enough is that you have to work for it. You have to claim it. That time will wear away the connections if you let it.

I pick up the phone, call your number. Your voice is there, carrying our history.

I’m still looking for the hillside cousins photo, but this one celebrating our grandparents’ 40th anniversary is another favorite from that year.
In 2015, the next generation of cousins at their great-grandmother’s 100th birthday party.


Reading Recommendation:

With the week’s focus on “cousins”, I offer you The Vanishing Half by Brit Bennett. One of the most fascinating, unexplored (by me) elements of this novel relates to the cousins of the story, the next generation, and the ramifications of their mothers’ choices not only on their individual lives, but on what is missed when deprived of each other. Their relationship is not the headline of this provocative novel, but is richly present throughout. My book club had a lot to say about this novel!

Sweetbitter

My word of the week is sweetbitter*– not really a word, but it should be (like these non-words and these). More apt than bittersweet, “sweetbitter” places the joyful before the sorrow.

We are in Pennsylvania for a yartzheit, a year since my father-in-law died. How can it be a year already since the world stopped, a harbinger of the whole world stopping as if in sympathy? Come Wednesday, we will go to the cemetery and face head-on the abject missing of someone so loved, so central. Come Wednesday, there will be the output of tears, reckoning with what was lost.

But before that there is snow (a thrilling gift to California boys who have been watching the weather reports and praying for this for weeks). There are borrowed sleds and a hill. There are snowballs and dogs romping. There is the ridiculous cake Aunt Jessica created — sweet with some bitter chocolate — to celebrate two January birthdays weeks gone by, because life is for celebrating even belatedly.

We are here, we are together, and we are missing. An exquisite yearning.

Death always takes us by surprise. We are never ready. We bury our heads in living. But would you want it any other way? To be asking each morning, will this be the day? We live and play and we mourn and grieve.

To be clear, it matters that a year has gone by. We have passed through every season, every birthday, every holiday without him. Each painful. “Just wait,” Jessica warned Christopher on her birthday, the first without their father. In the first days and weeks and months, the bitter won out often.

Now, out in the snow, Christopher wears his dad’s jacket and pelts the boys with fists of powder, and runs away from their response. His sister and mom see the familiar jacket and think his father is here.

In the living, in his grandsons, in the dogs galloping over to join them, he is.

Peter Heisen & Bumper, 2011

P.S. Full disclosure. I threw some snowballs, too.

* I am not the first to crave a word more sweet than bitter. “Sweetbitter” has been used by poets and podcasts and authors before me, to whom I offer thanks and credit.

Comfort

Close your eyes and let the sound float around your mind. Comfort.

The word itself feels like something. Like the softest sweatpants you have been living in for months, and the fuzzy socks that keep the hard floor and the cool morning air at a cushioned distance. The couch you sink into after dinner with your belly full, blanket pulled over your knees, the sleepy dog coming to nestle against your hip, its head on your lap, your fingers combing fur. Comfort, as a thing, is tactile.

But the action, to comfort, is harder. How to give comfort? How to heal a dear one’s wounds?

When my father-in-law died almost one year ago, we were inexperienced in loss. I tried to drip words like a salve over my husband’s grief, but grief is a place too deep for words to reach. “Tell your wife you need a lot of hugs,” the grief counselor said. The act of comforting is tactile, too.

I have read that it takes 20 seconds for a hug to release oxytocin.

Yesterday my friend held a funeral for her father, and we gathered online to comfort her, to offer the solace of our virtual presence. We could not comfort with our touch, only our faces and the awareness that we were present. But we are adaptive, we humans, and I think over the past year of virtual connection we have learned to imagine that last comforting mile, to bridge the gap between screen and actual togetherness. To feel the effect of connection.

During the virtual funeral, the rabbi read a poem, “Epitaph,” by Merrit Malloy. Maybe you’ve heard it too, this year? The moment came when the rabbi recited these lines,

And when you need me,
Put your arms
Around anyone
And give them
What you need to give to me.

and I leaned against my husband and took his hand, knowing how deeply he wished he could hug his father.

Hugs may be hard to come by in these days of isolation, but there is some comfort to be found in other places: in the sound of a friend’s voice on the phone, much richer than a text. In sorting through old photographs that spur buried memories of your babies’ smiles, a trip with friends, a dance floor moment resurrected. There is some comfort to be be found in playing the song that reminds you of your first kiss, or in cooking the meal your loved one loved best.

There is some comfort to be found in sitting quietly, intentionally, and recalling the of sensation of loving and being loved. In knowing that, although we cannot touch their love, we can feel it.

May we find the comfort we need, and be the comfort for others.

___

The complete poem is lovely, so I’ll share it here.

Epitaph, by Merrit Malloy

When I die
Give what’s left of me away
To children
And old men that wait to die.
And if you need to cry,
Cry for your brother
Walking the street beside you.
And when you need me,
Put your arms
Around anyone
And give them
What you need to give to me.

I want to leave you something,
Something better
Than words
Or sounds.

Look for me
In the people I’ve known
Or loved,
And if you cannot give me away,
At least let me live on your eyes
And not on your mind.

You can love me most
By letting
Hands touch hands,
By letting
Bodies touch bodies,
And by letting go
Of children
That need to be free.

Love doesn’t die,
People do.
So, when all that’s left of me
Is love,
Give me away.

What Will We Remember?

Tomorrow the light takes its first step to returning, a baby step on a six-month journey to the brightest day. We will long remember what was lost this year, but a year from now, will I remember what I gained?

Remember the fullness of my house in spring and summer, the proximity to the energy of young people becoming themselves, unfolding together in a symphony that long ago I conducted but now I sit for as audience.

Remember discovering that my garage was the quietest room in my house.

Remember learning recipes from my niece, planning meals in advance, and finding satisfaction in making things last. Remember baking cookies for no other reason than we wanted to eat cookies.

Remember walking to my parents’ house and ringing the doorbell, knowing they would appear. Remember my dad saying in his never-enough-time-in-a-day way, Let me put on my shoes, like a puppy just told it was time for a walk. Remember his grandchildren’s baby faces on his t-shirts, their college names on his sweatshirts and hats. Remember his white hair, which I still know to be dark brown deep down beneath the skin, sticking out.

Remember my mom, who finally stopped wearing a bra fifty years after that was revolutionary, who filled up her calendar with zoom political meetings, exercise and patience, sighing as he eagerly ties his sneakers, that breath saying only her daughters understand what she puts up with, and how much she loves him and his idiosyncrasies. Remember sitting outside with her addressing postcards to voters, and getting up to dance to Lady Gaga.

Remember wine, and wondering if I would ever go back to old habits of drinking less of it.

Remember walking with Christopher through the neighborhood, down the hidden stairway, making room for people coming up, winding up at the beach and falling asleep on the sand.

Remember the things I wish I had done more of — meals for health care workers, phone calls to friends, quiet afternoons with a novel or backgammon with my son — kindnesses to strangers and loved ones and self — and do more of them.

Remember finally taking the kids on an RV trip a decade after thinking that idea had come and gone. Remember driving it over the Rockies and across the country, taking my husband to his 49th state, and swimming in a lake in our underwear. Remember that there are still so many things we can do. Remember that when our choices were limited, we made new ones.

Dance with me: a love letter

“Oh very young, what will you leave us this time

You’re only dancing on this earth for a short while.”

– Yusuf Islam

Dance with me: a love letter

This petite memoir is a love story — love between parents and children, husband and wife, grandparents and grandchildren. Between dancers and dance. Between humans and being.

Maybe this is a love story about love itself.

Written it in staggered moments over the three years since my grandmother Lilli Diamond died, it is no accident that it came to completion during a time of isolation, a time when pandemic sent everyone home and took our cherished gatherings away — for me, my Sunday dance class, a place where I felt my grandmother’s presence so vividly.

Today, October 16, 2020, would have been her 105th birthday. Let this be my small gift from the heart to her and to you. Dance with me.

Dance with me: a love letter

How to Dance in the Rain: Another Lesson from My Grandmother

I wake Friday morning. Think: Another day. Another gift.

Full from Thanksgiving, I dress for a jog, or maybe the YMCA. Whim will decide.

A jog would mean fresh air and sunshine and — the big payoff — an expansive ocean view. The gym would mean maybe I pick up some weights, challenge my muscles. That’s important for a woman my age, I hear. I jog toward the gym.

I choose an elliptical at the end of the row, to put some space between me and the other post-indulgence machine-runners. It asks my weight and my age so it can choose how hard I should work. I lie about my age. By a lot. It’s not vanity; this machine doesn’t know how strong 49 can be.

My view from this machine is split: on the right, through the open double doors, I see the elementary school across the street. I am looking directly at the windows of Aaron’s first-grade classroom. I play a trick on myself; I time travel. “Imagine it is 11 years ago,” I tell my brain, “and Aaron is 6 and learning double-digit addition and subtraction, using the newspaper’s box scores to add each quarter of the basketball games.”

The trick makes me nauseous. I can’t sustain it for a second. That little boy is almost 18, graduates high school in months, then will leave for college. Fuck!

It goes so fast.

On the left side, my view is of televisions mounted to the wall. They are there to distract us, keep us pedaling, jogging, climbing, longer. Trying to stay healthy, longer. Trying to make our time here longer. On one TV is a college basketball game, all eyes on the coach. I time travel again, forward this time, and imagine that coach is Aaron, and I am on this same elliptical machine watching him live his dream. I believe in his dream. I smile. Thinking about the future doesn’t make me nauseous like returning to the past did.

The hardest challenge is being right here, now. I once wrote on a rock, “Be here now,” trying to create a reminder to help me stay present. Emmett found my rock and poked fun at my solemnity, writing on the back, “Where? HA! HA!” I found it on my desk. It was so Emmett, I had to laugh. I can take myself too seriously.

At the Y, a man I’ve known all my life walks in. We went to kindergarten together at that school across the street. Then his daughter and Aaron went to kindergarten together there. She’s also on the edge of what’s next. “How’s the college stuff going?” he asks. This can’t be happening, I want to say. They are only five, I want to say. Hell, WE are only five! “Great,” I say.

It goes so fast.

I walk home, it’s time to get ready to leave for the unveiling of my grandmother’s gravestone,. It has been a little more than a year since she died, and her name has been added to join my grandfather’s. We chose Thanksgiving weekend so all of her children, grandchildren and great-grandchildren could be present.

We gather under a white canopy on a picture perfect fall day in Los Angeles. We have no clergy, we only need ourselves. Our memories. Where to beginThere are so many, my sister says. This is not the end of telling stories, my mom reminds us. My aunt shares, “Some people wait for the storm to end, and some people dance in the rain.” Lilli danced in the rain. My cousins tell of the evil eye she gave to anyone who asked her age, including her kids. We laugh. And on we go.

I have brought my “Be here now”/”Where? HA! HA!” rock to leave on her gravestone. I love how it marries her occasional word of wisdom with her abiding need to crack herself up. I have spent hours telling her stories about things my boys had done, hoping to give her a laugh, perhaps a funny anecdote she could retell herself when she needed something to cheer her. I tell my family the story of the rock, from my intention to Emmett’s rewriting. We crack up. It is perfect.

I try to be present now, to cover my ears to the siren call of future and past. I give thanks for a family that holds these memories with and for me, a family connected by shared love and history, by reminders to dance in the rain, and laugh as hard and as often as we can.

We all put rocks on the gravestone. They are decorated and glittered and painted, some with words evoking Lilli, like LOVE and FAMILY and BROOKLYN. We cover every space, we make that gravestone look like a party, the best party you ever went to. We ask each other what will happen to the rocks, noticing that all of the others around here are bare. There is talk of returning with Gorilla Glue, perhaps adding a new story to the canon.