Rituals – Intended and Accidental

The Jewish New Year prompts the annual introspection: how to love our imperfect selves?

Imperfect challah…tastes about like it looks.

Last year at this time, we were taking steps to re-emerge from the pandemic. For me, that meant sending my kids back to in-person high school and college. I’m not gonna lie; it was bittersweet. I liked having my babies close.

On the eve of that transition, we sat around our dining room table and I said, Before we eatI want to do something.

I needed to pause and acknowledge that we had been through something extraordinary over the last 18 months, before we rushed headlong into the next season of our lives without a breath. I needed a ritual to close that time, in order to welcome what was coming next — a “new abnormal,” if not the grand “Woo Hoo, It’s Over!” we all wanted.

So that night I had scrounged and found four half-melted candles in the kitchen’s junk drawer and anchored them to the bottom of a glass jar with their own melted wax. I know: better humans than I would have thought ahead, bought new candles, maybe even placed them in real candleholders, and set a vase of flowers in the center, with a carefully crafted playlist humming in the background. While I admire and appreciate people who make those efforts, touches that make everyone feel special, that is not me. When I get an idea, I ruminate on it for a while, reject it, change my mind at the last minute and decide to commit to it, and then scramble to make it happen. I am who I am.

Gathered around the dining room table, I said, I thought that each of us could light a candle and say something, whatever you want, maybe a wish or hope for the new year. Anything.

I expected double eye rolls; they did not come. I guess my family needed something like this, too.

I lit the first candle and said to my boys, “I am so proud of how you weathered this strange and unprecedented time. You’ve shown resilience and humor, in addition to grief and mourning.”

Around the table, we each took a turn, match-lighting glitches and all. I do not know if my little ritual changed anything measurable, but it gave us a moment to take a step back and honor what we had been through.

Rituals are a necessary part of the human condition.

I have been thinking about rituals this week we celebrate the High Holidays. On Erev Rosh Hashanah last week, our rabbi spoke with utmost gratitude to his mother, who made sure that his family knew without fail that every Friday at 6 pm, they would be gathered around the Shabbat table.

As I thought about my own family’s haphazard Shabbat rituals, I felt that familiar second-guessing, comparing-mind, regret rising in my belly — if only I had done that better! I really meant to and now it’s too late!

In a perfect world, I would have created a beautiful and reliable Shabbat ritual for my family. My kids would have come home to the smell of fresh Challah baking, roasted chicken, and potatoes in the oven. Not only did I not possess the domestic discipline to plan ahead, but I also lacked the iron will to enforce that weekly ritual against the competing interests of flag football practices, basketball games; or social events of our own. Rather than make a beautiful, attendance-mandatory dinner each Friday night, I made the decision that keeping my kids from doing what they loved because of Judaism — was the surefire way to kill any fondness for those rituals and create a lifelong resentment to carry forward into the next generation

I sometimes wonder, like when the Rabbi is talking about his treasured childhood memories of Shabbat each week — what rituals will my kids keep? Which will they pass down? Which will they abandon? Which have I taught them, and which have I unwittingly handed down?

One ritual I love is casting away regrets.

One of my favorite rituals is Tashlich, the symbolic casting away of sins. I did not encounter this ritual until I was an adult (which feels important to remember as I flay myself for failing to instill rituals in my kids). I love Taschlich both because it involves being in nature and because it is about letting go of regrets.

Lucky to live by the ocean, in our community we gather at the beach and throw bread crumbs or birdseed into the sea, symbolically casting our “sins” into the ocean. As I throw the seeds toward the water, I think about the qualities and feelings I want to shed, and the thought and the physicality of it make me feel lighter, at least for the day.

Last year, I cast away fear. I let go of washing groceries when I came home from the market, and of reminding my sons to wash their hands the second they walked in the door. I cast away the grief of seeing caution tape wound around monkey bars. I cast away having my kids home and the false comfort of thinking I could protect them. I cast away the clenching and shrinking we had had to do then.

This year, I stood at the edge of the ocean thinking about what to let go of. The same stuff as always comes up (hello, worry, you old friend!), along with the unnamed boulders that keep me from lifting higher. Maybe regret.

My son called from his college town while I was there. He had not been to services, but he and his girlfriend had taken a hike on a trail they had never been on before.

“I told her about Tashlich.”

To be honest, I was surprised he knew the word.

“We took two rocks each,” he said, “and threw them off the mountain. One for something we wanted to let go of and one for something we hoped would come in the year.”

My heart filled. He had taken a ritual I love and had never consciously taught him, and made it his own. Like my half-melted candles, he had improvised and made a meaningful moment and shared it with someone he loved.

What will our kids take from us? What will they pass along to someone new?

Maybe what my kids have learned from my omissions, my failure to impose order and instruct them in perfect rituals and maxims, is that there is room in our traditions for them to draw out meaning. That perfection is not the goal, but the intention you bring. That what matters is showing up with what you may cobble together, and marking the moment.

So what if I did not keep an iron grasp on my family’s Friday nights, as tradition proscribed? I gave us what we needed, the freedom from “must do’s” that pinched rather than added joy; the value of adaptability; and a core faith that the bonds of family — built on trust, stability, and presence — were built all week long in a million other ways.

It would take centuries, and a truckload of birdseed to cast every regret and moment of second-guessing into the sea. A handful a year is a good start.

It is Friday afternoon as I write this. Wishing you a peaceful and perfection-free day of rest.


Laura Nicole Diamond is the award-winning author of Shelter Us: a novel, and Dance with Me: a love letter, and editor of the anthology Deliver Me: True Confessions of Motherhood. She is at work on a memoir about becoming a foster mom to a teenage asylum-seeker. Follow her on MediumFacebookTwitter, and Instagram.

More Pandemic Life, and Light, One Year Later

Last Passover I thought the Jews might break the internet. I did not yet know that this “Zoom” thing could handle our bandwidth. Miraculously, it could and did. Some fifty relatives waved at each other from our own homes, believing surely we would be together this year.

That was not to pass. Rather than resume our pre-pandemic mass gathering, our familial organism divided into smaller cells spread across counties and states. Even so, I felt a real liberation from the narrow places of last year: for the first time in a year I was sitting with my parents inside their house, eating at their dining room table, maskless, and vaccinated. We chose to open a laptop to Zoom as our rabbi led a Seder from her home and we joined a congregational family of hundreds. She closed the Seder with “Next year in Jerusalem,” and we affirmed, “next year in Tarzana.” Even this felt like a step forward.

More signs of light? For my 2020 birthday, one month into the shutdown, my friend left a very special gift on my porch, rang the doorbell, then hightailed it to the safety of her car.

My birthday month has come around again, and last night we walked to this friend’s house, rang her doorbell and did not back up but stayed on her welcome mat. Five of us went up to the roof in time to see the sunset, and toast how far we have come; the world isn’t talking about where to source toilet paper, but vaccines! Earlier in the day, I had told my son that I sensed a light coming — though I hedged, acknowledging that my feelings could change in a day or an hour. Last night on that roof, with darkness settling over us, Christopher summarized the sentiment of the moment, saying, “I don’t know what comes next.”

We have never known what comes next. The last year has taught us that. I hold at bay the knowledge that anything could happen still, a fourth wave might crash over us and wipe out plans for summer or even fall. And it might not. I focus on the light streaming through my window right this moment, as real as anything.

Cousins

In my mind’s eye I see the photograph that used to hang in my grandmother’s kitchen. The seven children of my generation (the California delegation), the cousins I grew up with, sit on the ivy-covered hillside of my aunt and uncle’s backyard, posed in a group before resuming our climbing. The sun has all but set, leaving enough light to see us by.

The four girls cluster together. On this occasion for some reason (maybe my aunt forewarned us there would be photographs?) my sister Marni and I wear matching dresses, a quilted design that reaches our ankles, and navy blue turtlenecks beneath. My cousin Liz sits next to me, legs crossed and hands clasped, in a red dress that reveals her knees. Sheryl, the youngest of us girls, wears her pigtails curled and tied with ribbons to match her dress. The two older boys, Marc and Michael, always a pair in those days, sit by each other’s side in corduroys, the uniform of the mid-1970’s. At the front, the youngest of our gang, four-year-old Greg peeks through straight blond hair, his mischievous smile revealing space where his front baby teeth should be, knocked out when he jumped out of a treehouse to prove his mettle.

I am seven or eight years old, and I am aware that it is the collective that matters. That I belong to something bigger. This photo with cousins — and the ritual of being asked to pose for it — imprints a message in my soul: these are your people.

These playmates are your story-bearers, your history-sharers. You will play and make up songs together, go to summer camp and sleepovers, attend each other’s birthdays and weddings. You will lose love and jobs and your hearts will break. The years will separate you by geography or politics or temperament. And yet through it all these will be your people.

The hillside on which we climb will bear witness to our family’s evolution. Our children’s footsteps will overlay the invisible imprints where ours once landed. And like our grandparents asked of our parents before us, we will ask our own kids to stop and pose, freeze just for a second. We will take their photo and tell them without words, you belong to each other.

What no one says enough is that you have to work for it. You have to claim it. That time will wear away the connections if you let it.

I pick up the phone, call your number. Your voice is there, carrying our history.

I’m still looking for the hillside cousins photo, but this one celebrating our grandparents’ 40th anniversary is another favorite from that year.
In 2015, the next generation of cousins at their great-grandmother’s 100th birthday party.


Reading Recommendation:

With the week’s focus on “cousins”, I offer you The Vanishing Half by Brit Bennett. One of the most fascinating, unexplored (by me) elements of this novel relates to the cousins of the story, the next generation, and the ramifications of their mothers’ choices not only on their individual lives, but on what is missed when deprived of each other. Their relationship is not the headline of this provocative novel, but is richly present throughout. My book club had a lot to say about this novel!

How to Dance in the Rain: Another Lesson from My Grandmother

I wake Friday morning. Think: Another day. Another gift.

Full from Thanksgiving, I dress for a jog, or maybe the YMCA. Whim will decide.

A jog would mean fresh air and sunshine and — the big payoff — an expansive ocean view. The gym would mean maybe I pick up some weights, challenge my muscles. That’s important for a woman my age, I hear. I jog toward the gym.

I choose an elliptical at the end of the row, to put some space between me and the other post-indulgence machine-runners. It asks my weight and my age so it can choose how hard I should work. I lie about my age. By a lot. It’s not vanity; this machine doesn’t know how strong 49 can be.

My view from this machine is split: on the right, through the open double doors, I see the elementary school across the street. I am looking directly at the windows of Aaron’s first-grade classroom. I play a trick on myself; I time travel. “Imagine it is 11 years ago,” I tell my brain, “and Aaron is 6 and learning double-digit addition and subtraction, using the newspaper’s box scores to add each quarter of the basketball games.”

The trick makes me nauseous. I can’t sustain it for a second. That little boy is almost 18, graduates high school in months, then will leave for college. Fuck!

It goes so fast.

On the left side, my view is of televisions mounted to the wall. They are there to distract us, keep us pedaling, jogging, climbing, longer. Trying to stay healthy, longer. Trying to make our time here longer. On one TV is a college basketball game, all eyes on the coach. I time travel again, forward this time, and imagine that coach is Aaron, and I am on this same elliptical machine watching him live his dream. I believe in his dream. I smile. Thinking about the future doesn’t make me nauseous like returning to the past did.

The hardest challenge is being right here, now. I once wrote on a rock, “Be here now,” trying to create a reminder to help me stay present. Emmett found my rock and poked fun at my solemnity, writing on the back, “Where? HA! HA!” I found it on my desk. It was so Emmett, I had to laugh. I can take myself too seriously.

At the Y, a man I’ve known all my life walks in. We went to kindergarten together at that school across the street. Then his daughter and Aaron went to kindergarten together there. She’s also on the edge of what’s next. “How’s the college stuff going?” he asks. This can’t be happening, I want to say. They are only five, I want to say. Hell, WE are only five! “Great,” I say.

It goes so fast.

I walk home, it’s time to get ready to leave for the unveiling of my grandmother’s gravestone,. It has been a little more than a year since she died, and her name has been added to join my grandfather’s. We chose Thanksgiving weekend so all of her children, grandchildren and great-grandchildren could be present.

We gather under a white canopy on a picture perfect fall day in Los Angeles. We have no clergy, we only need ourselves. Our memories. Where to beginThere are so many, my sister says. This is not the end of telling stories, my mom reminds us. My aunt shares, “Some people wait for the storm to end, and some people dance in the rain.” Lilli danced in the rain. My cousins tell of the evil eye she gave to anyone who asked her age, including her kids. We laugh. And on we go.

I have brought my “Be here now”/”Where? HA! HA!” rock to leave on her gravestone. I love how it marries her occasional word of wisdom with her abiding need to crack herself up. I have spent hours telling her stories about things my boys had done, hoping to give her a laugh, perhaps a funny anecdote she could retell herself when she needed something to cheer her. I tell my family the story of the rock, from my intention to Emmett’s rewriting. We crack up. It is perfect.

I try to be present now, to cover my ears to the siren call of future and past. I give thanks for a family that holds these memories with and for me, a family connected by shared love and history, by reminders to dance in the rain, and laugh as hard and as often as we can.

We all put rocks on the gravestone. They are decorated and glittered and painted, some with words evoking Lilli, like LOVE and FAMILY and BROOKLYN. We cover every space, we make that gravestone look like a party, the best party you ever went to. We ask each other what will happen to the rocks, noticing that all of the others around here are bare. There is talk of returning with Gorilla Glue, perhaps adding a new story to the canon.