How to See Miracles

My grandmother Lilli Diamond has taught me many things. Among some of the lasting lessons:

  • The Yiddish word for “stickshift” is…“stickshift”;
  • If someone declines your offer of a banana, offer him half a banana (because why would anyone in his right mind turn down a banana??)
  • Laugh every day, even if you “gotta crack your own self up.”
  • Use hyperbole to heighten one’s sunny outlook, as in “This is the best hot dog I ever had! In my whole life I never had a hot dog as good as this!”

This last point deserves explanation. A person could think such extravagant exuberance could dilute genuine emotional power; if everything is grand, nothing is. But it’s the opposite. She says it with such enthusiasm, she convinces you. She convinces herself.

(On the other hand, maybe the hot dog warranted the outburst; she eats fruit for dessert every day, and disdains those at her old folks’ home (her words) who order ice cream. And I’m thinking – Grandma, if not now, when?)

So forget the hot dog. Let’s try another example. A few minutes ago she called to tell me: “It was the most wonderful thing that ever happened to me.” Let’s hear it, Grandma. “Today, when the girl went down to the dining room to get my oatmeal, they were all out. Guess what I had for breakfast? I had the scone that you brought me yesterday!” To some, a rock-hard day-old scone; to her, a Hanukah miracle.

“I know I’ve told you this before,” she said to me yesterday as we crept toward the dining room at lunchtime. We were trailing behind another lady using a walker, and a man in a wheelchair passed us – unfair advantage, he had an aide. She paused to allow herself a fit of laughter at the incongruousness of where she found herself and her self-image. “I sometimes imagine that I’m in a play,” she continued, “and I’ve gone to the Director, and he has handed me my sides. ‘You’re going to play an elderly lady. Go to hair. Go to makeup. Go to costume,’ she looks down at her outfit and starts laughing again. ‘Go to props,’ she says, shaking with giggles and grasping her walker. ‘And go live at that Belmont with all the old people.’” She is playing a role – her outside a far cry from her inner life.

I laugh with her. We may cry a little, too. But right now we stand in a bubble, no one else can come in. Not the helpful staff, nor the perplexed residents. It’s our moment. I breathe in whatever I can from her. I inhale her amazement at the ordinary moment, her ability to find something wonderful or hilarious in the midst of a depressing milieu, her determination to sustain and entertain herself, an 18-year-old spirit in a…an older woman’s body.